Scotland’s Premier Destructavist, FK Alexander’s deathwork attempts to force feed mania influenced visions and aural hallucinations upon groups of civilians, across various dimensions, with varying outcomes. This work has been made for graveyards, nightclubs, cassette tapes and car parks, as well as theatres, music venues and galleries. This work is activated by a 30-year existential crisis, a history of bad men and obsessions with flowers, dead rock stars and the decline of western civilisation (the heavy metal years). This work is incredibly profound and entirely meaningless. FK has gratefully received a Total Theatre Award, An Autopsy Award and the 2021 Offies Award for experimental performance.